viernes, 3 de mayo de 2013

Rv: Ariel Piano sent you a message: One of Beethoven's most intimate sonatas


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De: YouTube Service <noreply@youtube.com>
Para: JORGE ALBERTO BARON <jorgealbertobaron@yahoo.es>
Enviado: Jueves 2 de Mayo de 2013 12:30
Asunto: Ariel Piano sent you a message: One of Beethoven's most intimate sonatas

Ariel Piano sent you a message: One of Beethoven's most intimate sonatas
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To:JORGE ALBERTO BARON

In Sonata No. 30, Op. 109, Beethoven seems to be looking ahead to Chopin.
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Ariel Lanyi plays Beethoven Sonata No. 30 Op. 109
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The first of Beethoven's last three piano sonatas, the Sonata in E major, Op. 109, in addition to being a piece of remarkable beauty and lyricism, redefines the meaning of the term "classical sonata." Instead of the typical sonata-allegro movement, the piece opens with a slow part of an improvisational character. The second part, a fast scherzo, is again uncommon in a three-part sonata. The center of gravity of the sonata is in the third movement that consists of a theme and five or six variations (depending on who does the counting and how). It starts with a simple chorale, culminates in the last variation with a gigantic double trill in the high register of the piano, and ends quietly with the restatement of the chorale.
Played at a recital at the Felicja Blumental Music Center in Tel-Aviv.
Part 1: 0:12
Part 2: 3:49
Part 3: 6:04
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